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      <p class="review"><H1 class="review">Danny Morris Band</p>
      <p class="review"><H1 class="review">&quot;StormSurge&quot;</p>
      <p class="review"><H1 class="review">New Moon NMc-9717</p>
      <p class="review">I can’t believe you missed this guy! Yow!! Incredible digital dexterity!
       And reeeallly fast, too! I’m in luv . . . </p>
      <p class="review"><b>Morris</b> is all over the musical universe and great at it all. After 4 years fronting the
       <b>Blue Note Special</b> blues band and 4 years with the <b>Nighthawk</b>s, he’s definitely
       blues at the core, but flirts with a bunch of styles on the 17 cuts. A fan of
       the three minute song, about 3/4 of the cuts are <b> Morris</b> originals. As the liner
       notes say, this is Otis Rush meets the Ventures or Dick Dale or Albert collins
       or all of the above, plus I heard bunches of other influences.</p>
      <p class="review">His jazzy surf guitar on <i> <b> Beat cop</b></i> is complimented by the bone vibrating
       bass of <b> Paul Barker</b>. <i><b>Swinging With You Baby</b></i> starts as old timey rocker, then
       breaks with some deep, exciting guitar licks backed by George Johnsons just
       right drumming. The jazzy sax of <b> Todd Wade </b> in <i> <b> Violated</b></i> doesn’t take away from
       the Dragnet-goes-surfing sound. Fabulous guitar technique here.</p>
      <p class="review">There’s a soft bump and grind latin sound on <b> Mowgli’s <i>Bounce</i></b>. The
       guitar is clear, clean, ahhh lovely. Almost a Santana touch. <b>Renee’s<i> cha cha</i>
       </b>is another island-latin influence with some good ole guitar for my latina dancin’
       feet. <b>Jimmy Rogers’ <i> That’s Alright</i> </b> is quintessential beautiful blues.&nbsp;
       <i><b>Run chicken Run</b></i> is fast and fun finger picking and really shows the drumming talent
       of <b>Johnson</b>. These guys actually sound like they practice a bunch together -
       it’s a delight to behold.</p>
      <p class="review"><i><b>Women From Pluto</b></i> is a hard driving B sci-fi movie&nbsp;
       theme combined with a Hawaiian touch. <i><b>She’s A Liar</b></i> is a 60’s British beat - ack!&nbsp;
       It’s the Beatles! Sorry, just hallucinating. Someone who’s not long
       distance needs to
       request <i> <b> Garbage Man</b> </i> on Soul Man’s show. It’s perfect for his dirty blues
       sets. A rockin’ version of <b> Earl King’s <i> come On (Let the Good Times Roll)</i> </b> is
       the longest cut at 7:38 minutes, but it kept me dancing every second (yeah,
       I’m wearing holes in my rug). <b>Danny’s</b> flying fingers and string bending are
       sooo cool, now I hear <b> Stevie Ray.</b></p>
      <p class="review">I had a hard time writing this review, I was hoppin’ and boppin’ so
       much. My poor beagles are beat and think I’m a loon. I could live off this
       guys talent. Talk to every club owner you know and get him back here!</p>
      <p class="review"><b>MER</b></p>
      <p class="review"><b>&copy;copyright 1999, <a href="http://www.suncoastblues.org">Suncoast Blues Society</a></b></p>

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