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Alberta Adams"Say Baby Say"Cannonball CBD 29114Blues history includes a tradition of royalty. Blues Queens have been anointed since the beginning. Mamie Smith, who made the first Blues recording, Ma Rainey, Memphis Minnie and Dinah Washington all wore the crown. I think most would agree that Koko Taylor gets the title these days, but she’s not alone. All around the world, wherever there’s a Blues community, there’s usually a local “Queen of the Blues.” Our own Diamond Teeth Mary was the Bay Area’s pride and joy. Travel elsewhere and you’ll find Marva Wright in New Orleans, Roxy Perry in New York, Joanne Taylor in Colorado and in Detroit, Alberta Adams, a woman who can legitimately contend for the world title. Adams likes to say that she was born with the Blues. Back in the 20’s, she was given up for adoption by an alcoholic mother. Later she moved in with relatives in Detroit. She had to battle her numerous cousins for food. She got her start in show business as a dancer on Hastings Street—the street made famous by John Lee Hooker in his classic, Boogie Chillun. When the regular singer didn’t show up one night, Alberta got her chance and she hasn’t stopped singing for more than 50 years. It was on Hastings Street that the Chess brothers discovered the petite but powerful singer. She recorded several gems with Red Saunders’ band from Chicago. Later she recorded for the famous jazz label, Savoy. One of those songs is the title for her latest album. Say Baby Say features Her Royal Highness in peak form, belying her age with a rocking and rollicking performance. Unlike many singers, Adams writes quite a bit of her own material. Her originals have the authenticity that comes from true-life experiences. Her backup band sparkles with Johnnie Bassett on guitar, Bill Heid on piano, Brian Miller on harmonica and a solid horn section. This is one of the more enjoyable CDs I’ve listened to recently. Don’t be surprised to see it listed in the Handy nominees. Norman Davis © copyright 2000, Suncoast Blues Society |